Magdalena Abakanowicz (1930-2017) was a well-known Polish textile artist and sculptor. She was born in Falenty, Poland, on June 20, 1930. Abakanowicz is most recognized for her large-scale sculptures constructed of unusual materials including burlap, resin, and metal.
Abakanowicz began her creative career in the 1950s, during Poland’s communist regime. Her early works were influenced by the country’s social and political atmosphere, highlighting themes of individualism and the search for identity.
In the 1960s, she began producing “Abakans,” which were huge, organic shapes made of woven fabric.
The series “Backs” (1980-1989) of 80 larger-than-life bronze statues showing headless torsos is one of Abakanowicz’s most recognized works. These sculptures are supposed to depict the individual’s anonymity and dehumanization in modern society.
Abakanowicz garnered several awards and worldwide acclaim for her contributions to modern art during her career.
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She took part in several renowned exhibits and had her work shown in prominent museums and galleries across the world. Among her many honors are the Golden Lion at the Venice Biennale in 1999 and the Praemium Imperiale in Sculpture in 2003.
Magdalena Abakanowicz passed away on April 20, 2017, in Warsaw, Poland. Her artistic legacy continues to inspire and influence contemporary artists, and her sculptures remain highly regarded for their powerful and thought-provoking presence.
Magdalena Abakanowicz Wikipedia and Age
Marta Magdalena Abakanowicz-Kosmowska (June 20, 1930 – April 20, 2017) was a Polish sculptor and fiber artist. She was known for her use of textiles as a sculptural medium.
She was a professor at the Academy of Fine Arts in Poznań, Poland from 1965 to 1990 and a visiting professor at University of California, Los Angeles in 1984.[1] She was born in Falenty, Poland. Abakanowicz died on April 20, 2017 in Warsaw at the age of 86.
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